I bring strategic instinct to every set, with my background as a creative director, supporting the technical grit of a director. Who solves the brief as much as executes it.
My work has taken me to sets across Ireland, South Africa, Nigeria, France and Lesotho.
I don't treat "the brief" as the finish line. I hunt for the spark buried inside it: the visceral, unexpected beat that stops a scroll and holds a room.
My Red Bull work feels like a shot of adrenaline injected via the camera, while my ASICS campaigns are built with real cultural weight. My branded content for Netflix dials the adrenaline down and shifts the balance toward social-media-first content, built to travel, not just play. Across every project, the through-line is the same: insight-led work that doesn't settle for meeting the objective, it demands the room's attention.